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Scoring to Picture in Logic Pro

You're reading from   Scoring to Picture in Logic Pro Explore synchronization techniques for film, TV, and multimedia composers using Apple's flagship DAW

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Product type Paperback
Published in Sep 2023
Publisher Packt
ISBN-13 9781837636891
Length 412 pages
Edition 1st Edition
Languages
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Author (1):
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Prof. Chris Piorkowski Prof. Chris Piorkowski
Author Profile Icon Prof. Chris Piorkowski
Prof. Chris Piorkowski
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Table of Contents (19) Chapters Close

Preface 1. Part 1: An Introduction to Scoring to Picture
2. Chapter 1: Understanding Film Music Industry Standards FREE CHAPTER 3. Chapter 2: Understanding Film Scoring Terminology 4. Chapter 3: Reviewing QuickTime Video and Video Components 5. Part 2: Project Setup and Navigation
6. Chapter 4: Setting Up a Movie in Logic Pro 7. Chapter 5: Syncing Logic Pro to Picture 8. Chapter 6: Working with Hit Points and Scene Markers 9. Part 3: Methods of Scoring to Picture
10. Chapter 7: Creating Tempo Maps 11. Chapter 8: Working with Beat Mapping 12. Chapter 9: Working with a Time Signature 13. Part 4: Synchronizing Music to Picture
14. Chapter 10: Scoring a Commercial 15. Chapter 11: Shaping the Score and Exporting to Video 16. Chapter 12: Advanced Concepts for Dealing with Timing in Film Music 17. Index 18. Other Books You May Enjoy

Choosing music choices over technical choices

Up until now, we’ve looked at everything from a technical point of view. In this section, we will look at how the music choices can become more important than the technical choices, with a focus on what will best serve the commercial. All the different technical skills that have been learned and acquired in the last chapters could be used and are important in any scoring, but we decided to take a simplified approach here.

In this example, even though we’re using the constant tempo of 99 bpm, we are still considering the hit points to make sure they fall on the downbeat of a bar, but without the use of beat mapping. Also, instead of using many time signatures, we will only use two time signatures for the entire commercial, 4/4 and 6/4. We will use the 4/4 time signature from the beginning to bar 16 and add a 6/4 time signature at bar 16 that will continue to bar 17. The 4/4 time signature will then continue from bar 17 to...

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