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Modern Computer Vision with PyTorch

You're reading from   Modern Computer Vision with PyTorch Explore deep learning concepts and implement over 50 real-world image applications

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Product type Paperback
Published in Nov 2020
Publisher Packt
ISBN-13 9781839213472
Length 824 pages
Edition 1st Edition
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Authors (2):
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Yeshwanth Reddy Yeshwanth Reddy
Author Profile Icon Yeshwanth Reddy
Yeshwanth Reddy
V Kishore Ayyadevara V Kishore Ayyadevara
Author Profile Icon V Kishore Ayyadevara
V Kishore Ayyadevara
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Toc

Table of Contents (25) Chapters Close

Preface 1. Section 1 - Fundamentals of Deep Learning for Computer Vision
2. Artificial Neural Network Fundamentals FREE CHAPTER 3. PyTorch Fundamentals 4. Building a Deep Neural Network with PyTorch 5. Section 2 - Object Classification and Detection
6. Introducing Convolutional Neural Networks 7. Transfer Learning for Image Classification 8. Practical Aspects of Image Classification 9. Basics of Object Detection 10. Advanced Object Detection 11. Image Segmentation 12. Applications of Object Detection and Segmentation 13. Section 3 - Image Manipulation
14. Autoencoders and Image Manipulation 15. Image Generation Using GANs 16. Advanced GANs to Manipulate Images 17. Section 4 - Combining Computer Vision with Other Techniques
18. Training with Minimal Data Points 19. Combining Computer Vision and NLP Techniques 20. Combining Computer Vision and Reinforcement Learning 21. Moving a Model to Production 22. Using OpenCV Utilities for Image Analysis 23. Other Books You May Enjoy Appendix

Questions

  1. What is an encoder in an autoencoder?
  2. What loss function does an autoencoder optimize for?
  3. How do autoencoders help in grouping similar images?
  4. When is a convolutional autoencoder useful?
  5. Why do we get non-intuitive images if we randomly sample from vector space of embeddings obtained from vanilla/convolutional autoencoders?
  6. What are the loss functions that VAEs optimize for?
  7. How do VAEs overcome the limitation of vanilla/convolutional autoencoders to generate new images?
  8. During an adversarial attack, why do we modify the input image pixels and not the weight values?
  1. In a neural style transfer, what are the losses that we optimize for?
  2. Why do we consider the activation of different layers and not the original image when calculating style and content loss?
  3. Why do we consider gram matrix loss and not the difference between images when calculating style loss?
  4. Why do we warp images while building a model to generate deep fakes?
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