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Final Cut Pro Efficient Editing

You're reading from   Final Cut Pro Efficient Editing A step-by-step guide to smart video editing with FCP 10.6

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Product type Paperback
Published in Oct 2020
Publisher Packt
ISBN-13 9781839213243
Length 796 pages
Edition 1st Edition
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Author (1):
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Iain Anderson Iain Anderson
Author Profile Icon Iain Anderson
Iain Anderson
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Table of Contents (20) Chapters Close

Preface 1. Section 1: Importing and Organizing
2. Chapter 1: Quick Start: An Introduction to FCP FREE CHAPTER 3. Chapter 2: Before the Edit: Production Tips 4. Chapter 3: Bring It In: Importing Your Footage 5. Chapter 4: Sort It Out: reviewing and keywording 6. Chapter 5: Choose Your Favorites: Selecting, Rating, and Searching 7. Section 2: Rough Cut to Fine Cut
8. Chapter 6: Build the spine of the story: Quick Assembly 9. Chapter 7: Cover It Up: Connections, Cutaways, and Storylines 10. Chapter 8: Neaten the Edges: Trimming Techniques 11. Chapter 9: Consider Your Options: Multicam, Replacing, and Auditions 12. Chapter 10: Explore a Little: Compound Clips and Timeline Tricks 13. Section 3: Finishing and Exporting
14. Chapter 11: Play with Light: Color Correction and Grading 15. Chapter 12: Refine and Smooth: Video Properties and Effects 16. Chapter 13: Blend and Warp: Video Transitions and Retiming 17. Chapter 14: Boost the Signal: Audio Sweetening 18. Chapter 15: A Few Words: Titles and Generators 19. Chapter 16: You're Done: Exporting Your Edit and Finishing Up

Three-point editing and more

You may not have considered it, but most edits are defined in terms of the source clip (which part of a clip you want to use) rather than the timeline (where do you want the clip to go). However, it's possible to prioritize the timeline instead, and this is sometimes called "three-point editing," because technically, at least three points are defined every time you add a clip. It's a traditional method, and here, you'll learn about how to mark part of the timeline to receive a clip and how to connect or overwrite a clip to that region.

So far, we've added connected clips in a somewhat haphazard, less controlled way, by selecting a few seconds of a clip and then pressing Q. That means that the three points are the In (1) and Out (2) on a Browser clip, plus an In (3) point on the timeline.

But you can flip that "source clip dominance" around by explicitly placing two of those points on the timeline....

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